In 2009 a monumental underwater museum called MUSA (Museo Subacuático de Arte) was formed in the waters surrounding Cancun, Isla Mujeres and Punta Nizuc. The project founded by Jaime Gonzalez Cano of The National Marine Park, Roberto Diaz of The Cancun Nautical Association and Jason deCaires Taylor consists of over 403 permanent life-size sculptures and is one of the largest and most ambitious underwater artificial art attractions in the world.
The Museum aiming to demonstrate the interaction between art and environmental science forms a complex reef structure for marine life to colonise and inhabit. Each of the sculptures is made from specialized materials used to promote coral life, with the total installations occupying an area of over 420sq metres of barren sea bed and weighing over 180 tons. The Cancun Marine Park is one of the most visited stretches of water in the world with over 750,000 visitors each year, placing immense pressure on its resources. The location of the sculptures promotes the recovery of the natural reefs at it relieves pressure on them by drawing visitors away.
The Silent Evolution, his most ambitious work to date, is a collection of over 400 life-size figurative works, forming a vast gathering of people aiming to define a new era of living in a symbiotic relationship with nature.
The third stage of the museum commencing in 2011 will involve commissioning local and international artists to contribute further sculptural installations and host special underwater cultural events celebrating the Arts and Science.
The Museum aiming to demonstrate the interaction between art and environmental science forms a complex reef structure for marine life to colonise and inhabit. Each of the sculptures is made from specialized materials used to promote coral life, with the total installations occupying an area of over 420sq metres of barren sea bed and weighing over 180 tons. The Cancun Marine Park is one of the most visited stretches of water in the world with over 750,000 visitors each year, placing immense pressure on its resources. The location of the sculptures promotes the recovery of the natural reefs at it relieves pressure on them by drawing visitors away.
The Silent Evolution, his most ambitious work to date, is a collection of over 400 life-size figurative works, forming a vast gathering of people aiming to define a new era of living in a symbiotic relationship with nature.
The third stage of the museum commencing in 2011 will involve commissioning local and international artists to contribute further sculptural installations and host special underwater cultural events celebrating the Arts and Science.
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